Time to Write

Recently I stumbled across a blog post on "How to develop a story for your novel". The blog's title says it all for me: 'Time to Write'.

To backtrack a little, I spent the spring and summer packing up my house. Writing took a back seat, as did visits to the dentist (my abscess tooth moldered in my mouth for a full two months), and anything that didn't have to do with Moving House.

It struck me that this is a pattern I've cultivated in order to avoid loathsome tasks. My mantra had become: focus on one thing, to the exclusion of all else. Did writing a novel fall into the 'loathsome task' category? I thought so, until I spent a Sunday morning, recently, surfing the net. Before I knew it, I had read a dozen blogs - all of them were writers' blogs, as it turned out, instead of the self-help, motivational ones that leave me feeling more drained of motivation than anything.

But after reading Jurgen Wolff's practical tips on getting unstuck and moving forward with your novel, I realized that writing a novel isn't what I'm avoiding in my life.

It's the feelings of not measuring up, not being good enough, and therefore being unworthy. It's the pain that follows on the heels of these feelings that's kept me from the keyboard.

Jurgen Wolff has made it easier to stick my toe in the water. I don't need to plunge headlong into the deep end.

Instead, I can start at the beginning. He suggests asking the question, What if? Start with the bare bones of your character's life and flesh out a few possible scenarios.

"Sometimes at the end of a string of "what if" explorations you end up with a totally different character or story than you started with. That's fine, you're just playing around to explore and you keep going until you have a story you will enjoy writing and people will enjoy reading."
In other words, what if I could have fun with it?

How to Be a Writing Maverick

By Sophfronia Scott

Let’s face it. You read and study and seek advice from writing professionals like myself because you want to understand the convention of the publishing industry so you can be accepted and be successful in the realm. There’s nothing wrong with that. But I would like you to think about this for a moment: Sometimes there’s even more success to be had by going against the grain of what’s usually done. And there isn’t a better time than now to experiment with new approaches because these days “what’s usually done” in the publishing world isn’t working.

But before you set out to write the book that shatters convention or create the promotion that makes us all rethink how to sell a book, here are a few tips to keep in mind to help smooth your unpaved path.

Be Clear For Yourself
Know what you want to do and why you want to do it. Don’t worry if the reasons don’t make sense to anyone else. I’m sure no one could really understand why real estate maverick Frank McKinney wanted to write and publish a spiritual book, a real estate guide and a young adult novel all on exactly the same day, but I bet the reasons were crystal clear to him! Everyone else could only stand back in amazement as each book hit bestseller status. If you’re clear on your reasons for writing against the grain, it will help you to…

Be Strong in Your Conviction
Many people will tell you why you can’t do something–I could even be one of them! But if your plan is sound, and only you can know that for certain, move forward in the direction of your dreams. The book publishing industry has operated on convention for ages so it doles out the rejection slips like sprinkles in an ice cream shop. Authors like J.K. Rowling got more than their fair share. But because she held firm in her belief that her story of boy wizard Harry Potter was worthy, she was rewarded with a fortune.

Execute Well
It’s one thing to be a maverick. It’s quite another to be a bad maverick. I’m not even sure if there’s a proper word for a bad maverick. You’re just considered bad! If you’re going to write a book like no one has ever seen before, then it has to be good. There will be too many people waiting to say, “See, I told you it wouldn’t work.” Your work has to be on target and so polished it shines. A half-baked job won’t cut it.

Get Others On Your Bandwagon
When you write against the grain, it helps to have your own support team. You’ll need the positivity to outweigh the “no’s” you might hear along the way. Plus you’ll enjoy celebrating your triumph with people who were there with you the whole way–no johnny-come-lately’s at your party!

Show Some Personality
Now is not the time to sit back and be conservative with your writing. If you’re already stepping out to write something different, you may as well go all the way. Don’t be afraid to show your personality. Your brash mind came up with the idea–let it come out with all that brashness intact. You’ll draw more interest in your project, and you’ll have a lot more fun creating it!

One Last Note: Don’t be afraid to ask for help along the way. If you’re doing something totally new, you might hesitate to talk about the project and keep it too much to yourself. Remember (and I learned this from author and coach Barbara Sher), isolation is a dream killer. The more people you tell about your bold vision, the more good energy you’ll build around it. And you’ll be that much more likely to drive that bold vision home.

© 2009 Sophfronia Scott

Sophfronia Scott is Executive Editor of the Done For You Writing & Publishing Company. Learn what a difference being a published author can make for your business. Get your FREE audio CD, “How to Succeed in Business By Becoming a Bestselling Author” and your FREE online writing and book publishing tips at www.DoneForYouWriting.com.

Writing Your Book to Sound Fantastic

By Sophfronia Scott

I once read a column by Stephen King where he extolled the virtues of the audiobook. I agreed with his take, especially the stressing that most writing is, after all, about story-TELLING. But it’s interesting to me how many writers go about their work without considering how their words will sound as spoken words. We’re so used to reading silently in our heads and, of course, that’s what most of our readers will do. But thinking about how your book will sound is an important key to ensure you’re writing well. Usually if it sounds good, it is good. Here are a few things to consider…

How Do You Want to Be Heard?

We think so much about story, plot, characters, as we’re planning a book, but just as important is this: What do you want your book to sound like? Will your characters speak in dialect? Will your narrator have a unique voice or will he/she sound like all the other characters? Does your book sound right for the time? My current manuscript is a historical novel and my concern is using the correct slang and general tone for the time period. I also want it to have the feel of a woman sitting in a room telling me this story in one sitting in an intimate setting. I always asking myself if that is indeed what is happening with what I’m writing.

Listen Up!

If you’re confused about how you want your book to sound, listen to a recording of one of your favorite novels. The beauty of audiobooks is that we have so much to choose from when we want to hear what great writing sounds like. As I searched for examples to inspire my own work, I discovered (on iTunes!) a recording of the great actress Ruby Dee reading Their Eyes Were Watching God by Zora Neale Hurston. Ms. Dee’s reading conjured the magic and soul of the book and it gave me great ideas on what I could try to bring that kind of depth to my writing. I’m not sure I would have heard the same thing reading the novel on my own.

For Non-Fiction: Your Voice

Sound is just as important for non-fiction writers. With non-fiction, the sound of the book is your own personal voice. How do you want to sound to your readers? Authoritative? Friendly? Professorial? Humorous? Keep your answers in mind as you write and edit your manuscript. Is your tone consistent or are you changing it again and again? Does it make readers want to know you and stay with your book? Or does your too-serious tone keep readers at a distance or–even worse–drive them away? Your information and personality can’t help but mingle to create your tone. But is the mix a good one?

When in Doubt, Read It Out (Loud)!

When I worked at Time Inc. my editors endlessly stressed reading a piece out loud during the writing process. If you didn’t, you risked the embarassment of standing next to an editor while they read a few sentences of your story out loud and then turn to you and say, “Does that sound right to you?” It’s amazing how ghastly different something can sound in your head versus reading it out loud. Don’t be afraid to do it. Find yourself a quiet spot and really speak the speech as though you were giving one. Does it sound awkward? Boring? Totally engaging? If you can’t tell, get a friend to read it out loud for you. If they stumble often or if the words seem lifeless, you’ll know your marching orders. Time to rewrite!

© 2010 Sophfronia Scott

Sophfronia Scott is Executive Editor of the Done For You Writing & Publishing Company. Learn what a difference being a published author can make for your business. Get your FREE audio CD, “How to Succeed in Business By Becoming a Bestselling Author” and your FREE online writing and book publishing tips at http://www.doneforyouwriting.com/

A Few Short Minutes

The following post is from Writer's Relief, Inc. Guest blogger Diane Stark is a former teacher turned freelance writer. Her work has been published in Chicken Soup for the Soul: A Tribute to Moms and MomSense. She is the author of Teacher's Devotions to Go.

My dad loved football.

As a little girl, I would do everything I could to gain his attention while he was watching the game. I’d stand in front of the television, offer to get him a snack, ask him questions about the game, anything to get him to glance my way. My dad would try to ignore me, and then call for my mother to come and get me, and finally, in desperation, he’d promise to take me for an ice-cream cone if I’d just sit still and be quiet for the last six minutes of the game.

“Six minutes? What can happen in six minutes? Can’t we just get the ice cream now?” I’d ask. “The Dolphins are winning by fourteen points. There’s no way the other guys can catch up in just six minutes.”

My dad would just sigh and shake his head. “A few short minutes can change everything” was his answer.

I haven’t watched football with my father in more than a decade, but I’ve never forgotten his words.

A few short minutes can change everything.

Those words are true about more than just football.

A touchdown is nothing more than getting the ball across the field, yard by precious yard. A novel, or an article, or even a poem is nothing more than our thoughts and our research, written down one word at a time. Either can happen in tiny increments or in one long burst of energy.

How it happens isn’t important, but only that it does.

A few short minutes can change everything.

A football game. Or your writing career.

Six minutes is more than enough time to accomplish one small step toward improving your writing career. It’s plenty of time to locate writer’s guidelines on the Internet. It’s enough time to learn something new by reading an article in a writing magazine or on a writing Web site, or to study an article in your target publication. It’s more than enough time to sign up to receive a writing e-zine or to read one that you’re already getting. It’s enough time to write down a great idea or start on a character sketch. You can begin an outline or locate an interview source online. You can even type a paragraph or two. It’s enough time to take a step in the right direction.

Six minutes may not sound like a lot of time, but it’s too much time to waste. Most writers have to scrape for extra time; we grab it whenever and wherever we can. Just a few minutes a couple of times a day can add up to several extra hours of writing time each week.

A few short minutes can change everything.

Think about your daily schedule. How many minutes do you spend waiting for something or someone? We wait at the doctor’s office, we wait to pick up our children from school and sporting events, we wait in traffic, we even wait for water to boil. Don’t waste those short blocks of time. Instead, use waiting time as writing time. Keep a notebook or small tape recorder in your car and use those minutes to get down a few paragraphs. Even if you just spend your wait time thinking about your writing, rather than about how terrible traffic is, you’ll be more prepared to write the next time you have a few minutes. You’ll also feel a lot better.

What about your television watching habits? We all have our favorite shows, ones we’d feel deprived if we missed. But what about the shows before or after your favorite? Do you really need to sit and watch them too? Why not write during that time? See how much you can accomplish during the commercial breaks. You may surprise yourself.

A few short minutes can change everything.

In football, in writing, and in life, every big play starts with a decision. A decision to try. To work hard, no matter what happens. To keep trying, even when a 300-pound defenseman—or a less than tactful editor—tackles us to the ground. We get up and try again on the next play.

As many times as it takes.

We just keep plugging away, minute by minute, yard by yard, knowing that someday soon, we’re going to score. Big time.

So no matter how much time you have to write, use it wisely. Don’t waste those extra minutes. They can make a huge difference in your writing career.

Use those extra minutes in your life. Use them to change your life.

Remember, a few short minutes can change everything.

“Writer’s Relief, Inc. is a highly recommended author’s submission service. Established in 1994, Writer’s Relief will help you target the best markets for your creative writing. Visit their Web site at http://www.WritersRelief.com to receive their FREE Writers’ Newsflash, which contains valuable leads, submission guidelines, and deadlines for writing in all genres.”

Photo: "Six-Minute Eggs", Dave-F

It's in the Details

During my second week in Arizona, we stayed at a resort close to the Camelback Mountains. Unlike hubby, who was stuck in meetings all day, I was lucky enough to sit in a lounge chair by the pool and drink in the beauty of these magnificent hills.

I sat in the same chair every day. Directly in front of me, "attached to the “head” of the camel, was an outcropping of rock called “The Praying Monk”." Now, I have a confession to make. Even though I had been at this resort for close to a week, I didn't see it - the praying monk, that is.

The mountain as a whole had my undivided attention, but I hadn't bothered to take in the details.

For someone who likes to create shapes out of clouds, I was stumped. And then it hit me - the aha moment when all becomes crystal clear - and when I wasn't even looking for it. I glanced up from my book and saw it. It was glaringly obvious. There he was, in all his glory: a monk. Head bowed, kneeling in prayer, a cloak covered his head.

After spending nearly a week here, why hadn't I seen it before? And then it struck me. Just like the Praying Monk, epiphanies hit you with the suddenness of a lightning bolt, when you least expect them. At the moment you stop actively searching for the answers and allow the universe to provide them, crucial insights will surface.

There's a divine order to these things, I think. Time and again, the perfect solution to a gnarly question falls from the sky: a perfect blending of the right place at the right time and our own ability to put the knowledge into action is all that's required.

I still shake my head in wonderment as I look at the photo of what was right in front of me. In much the same way the key to moving forward with my novel sits right in front of me. I had allowed the mountain of paper on my desk to stifle my creative flow. All I could see was a vast expanse of white. Was this a novel? Novella?..or maybe a short story. The questions swirled in my head, but I no longer knew.

I couldn't see what was smack dab in front of me.

Write. And keep writing. The details will emerge when I get out of the way and simply allow my characters to tell their stories. I'm in the right place at the right time, and I'm more than willing to put this knowledge into action.

Writing is a Job

In a recent Washington Post article, Ann Patchett made a New Year’s resolution. She discovered a “radical concept — time spent working equals output of work.” It dawned on her that writing is a job and therefore not to be taken lightly. You mean… it’s not something that I squeeze in between jaunts to the supermarket, dry cleaners, hair salon, and doctor’s appointments? Not to mention laundry, scouring the oven, and cleaning toilets?? All of which I do to avoid sitting down at the computer and facing my Inner Editor, by the way.

It’s not that I’m actually afraid of my Inner Saboteur (who, when my writing instructor asked the class to put a face and name to it, turned out to be an annoying Leprechaun, utterly devoid of the power and magnificence of The Great and Powerful Oz).

The fact is…I buy into pretty much everything he has to say. And it turns out that I’m not the only writer who does.

According to Ann Patchett (who, incidentally, is the author of five novels, including Bel Canto (winner of the PEN/Faulkner Award and the Orange Prize),

“Writing is an endless confrontation with my own lack of talent and
intelligence, because if I were as smart and talented as I ought to be, I would
have finished this book by now. I would consider avoiding work the better plan
were it not for the fact that to have written a book, to have finished it, is
such a glorious thing that it is worth whatever suffering is meted out in the

The trick, I think, is to see the Inner Editor for who he (or she) truly is: the man behind the curtain, whose sole purpose in life is to keep us safe – protected from even a glancing blow of failure.

Once I managed to see his true colours, I took great delight in throwing back the curtain, and showing him the door. Not that he doesn’t skulk into my office whenever he can get the chance. But, he’s an intruder, and ever since the day I stood up to him and stripped him of his title of General Know-It-All, I was ready to accept a new voice into my creative hub room. A voice that gently guides me through the miasma of creating something even vaguely readable.

So, who knows? Maybe, now that I have a new boss, and I take the time each day to actually work on this novel that’s been taking up every square inch of space in my brain for the past two years – actually see it as a job – the results won’t be half bad. Or, as Ann Patchett said, it “may well be brilliant. Now there’s a beautiful thought.”

Come to the Edge

By Sophfronia Scott

How big do you think? When it comes to thinking about writing a book or planning strategy for a business, it seems we’re constantly being told to “Think Big”. Goals are supposed to be just big enough to make us uncomfortable. I do understand the importance of thinking big: it makes you stretch yourself and test your abilities.

But there’s a downside to thinking big: it can inspire fear. When you think too big or try to do too much, the possibility of failure looms. You fear failing, you fear trying. Next thing you know, you’re frozen with fear. I walk this line constantly. My current writing projects can easily be described as “ambitious” so fear is constantly lurking at the edge of the forest of my mind. Can I really write this? Can I finish it? When the fear rises, I find these two quotes to be helpful:

“‘Come to the edge,’ He said. They said, ‘We are afraid.’ ‘Come to the edge,’ He said. They came. He pushed them… and they flew.” — Guillaume Apollinaire

“You don’t have to save the whole world in a single bound. Small steps, taken again and again, will accomplish far more than any grandiose scheme.” — Ralph Marston

Notice in the first quote that the “they” do not have to start out flying. They are not asked to jump. They only have to “come to the edge”. The rest of what they needed–momentum, circumstance, opportunity (or, in this case, a friendly push)–showed up and took them the rest of the way. In the second quote, again, you see that you don’t have to accomplish the big thing all at once. You start small and you do something small. As you walk you achieve the world along the way.

You don’t have to write a 400-page book or execute a million-dollar business strategy all in one week. But you can write one page. You can send out one email or one letter to promote a product or service. You can then write another page, mail a postcard, or start a newsletter. Before you know it, you’ll be on your way.

And here’s the best part: as you’re moving along and taking your small steps, you won’t have space in your mind for fear. Every small accomplishment will push it further and further away. Then your book will be written, your business will be successful, and you will be flying. Come to the edge.

© 2010 Sophfronia Scott

WANT TO USE THIS ARTICLE IN YOUR E-ZINE OR WEB SITE? You can, but you must include this complete resource box with it: Sophfronia Scott is Executive Editor of the Done For You Writing & Publishing Company. Learn what a difference being a published author can make for your business. Get your FREE audio CD, “How to Succeed in Business By Becoming a Bestselling Author” and your FREE online writing and book publishing tips at http://www.doneforyouwriting.com/.